About
Film-trained, Magna Cum Laude, but I came in through science and medicine, chasing how people make sense of things.
Filmmaking is where that instinct moved: not treating a body, but shaping stories that help people see clearly.
Camera, edit, sound, story, delivery: not separate problems. Parts of one system.
Film-trained. Internet-native. Built between feature post, set work, and the open internet. Indian-born, Los Angeles-based.
The Core Idea
Command is the clear version of the work: knowing what a scene is for, protecting the feeling, shaping the rhythm, and finishing without losing the thread. Hunger is the panicked version: forcing it, chasing validation, and taking everything personally. I try to work from command.
Emotion, shaped into structure.
Public Footprint
Outside links for context on the work.
A human profile of the LA film, post, and camera path behind the work.
Read VoyageLA storyEditor credit listed on IMDb.
IMDb CreditProject coverage connected to the edit and video work on Shuttlepod Show.
Read TrekNews proofOfficial Vogue India page credits Shranjay Arora and Julio Cesar Flores as videographers; video editing is credited separately.
Watch Vogue India featurePublic interview on filmmaking, science, story, and the early PROXY/SPOTTED period.
Read Arts Independent interviewPublic SPOTTED interview listing Shranjay as co-writer/director and Seda Anbarci as co-writer/producer.
Read SPOTTED interviewPublic Top Shorts page listing PROXY for Best Editing.
View Top Shorts proofInterview context on the move from India to Los Angeles and the filmmaker identity behind the work.
Read OUTER-STAGE interviewReview that specifically discusses the editing rhythm, momentum, humor, and tonal control.
Read editing reviewFinal Scene
A rough link and the right context are enough to start. I'll tell you quickly if I'm the right fit.
Open to film, post, trailer, BTS, and camera work in 2026.