About
I trained in filmmaking and graduated Magna Cum Laude, but my way into the work started earlier through science, technology, and trying to understand how people make sense of life.
I was once on a medical path. Filmmaking became the place where that same instinct could move differently: not treating a body, but shaping stories that help people see themselves, each other, and the world more clearly.
That is why I work across set and timeline. Camera, edit, sound, story, and delivery are not separate problems to me. They are parts of the same system.
Film-trained. Internet-native. Built for work that has to hold up in a theater, a timeline, and a feed.
The Core Idea
Command is the clear version of the work: knowing what a scene is for, protecting the feeling, shaping the rhythm, and finishing without losing the thread. Hunger is the panicked version: forcing it, chasing validation, and taking everything personally. I try to work from command.
Emotion, shaped into structure.
Released feature-film editing and long-form story structure.
Short-form directing, editing, and cinematography with public project recognition.
Episode flow, interview structure, and video support across series work.
Trailer, behind-the-scenes, and brand-adjacent work built for fast comprehension.
Calm structure across delivery, edit, sound, and messy post pipelines.
Public Footprint
A selective record of outside links that give context for the work and the path behind it.
A human profile of the LA film, post, and camera path behind the work.
Read VoyageLA storyEditor credit listed on IMDb.
IMDb CreditProject coverage connected to the edit and video work on Shuttlepod Show.
Read TrekNews proofOfficial Vogue India page credits Shranjay Arora and Julio Cesar Flores as videographers; video editing is credited separately.
Watch Vogue India featurePublic interview on filmmaking, science, story, and the early PROXY/SPOTTED period.
Read Arts Independent interviewPublic SPOTTED interview listing Shranjay as co-writer/director and Seda Anbarci as co-writer/producer.
Read SPOTTED interviewPublic Top Shorts page listing PROXY for Best Editing.
View Top Shorts proofInterview context on the move from India to Los Angeles and the filmmaker identity behind the work.
Read OUTER-STAGE interviewReview that specifically discusses the editing rhythm, momentum, humor, and tonal control.
Read editing reviewFinal Scene
A rough link and the right context are enough to start. I'll tell you quickly if I'm the right fit.