Los Angeles // Film + Post + Camera

Shranjay Arora

Filmmaker. Editor. Cinematographer.

I edit, shoot, and finish projects when the footage is there, but the film isn’t yet.

Watch the Work Start a Project

Lately: a released feature, Award-Recognized Shorts, a Star Trek-cast series, and a Vogue India shoot.

Feature Film Editor
Award-Recognized Shorts
Star Trek-Cast Podcast
Jameela Jamil Cover BTS
Post-Production Leadership

Selected Frames

Selected Frames From The Work.

A quick visual pass through released, public, and archive projects. Full role context stays on the Work page.

Official trailer still from Pick Up Artist showing a conversation scene from the released feature.

Pick Up Artist Feature Editing

A man wearing a glowing VR visor in a scene from PROXY. — PROXY

PROXY Directing + Edit

Shuttlepod Show title image featuring Connor Trinneer and Dominic Keating. — Shuttlepod Show

Shuttlepod Show Series Edit + Video

Vogue India BTS frame featuring Jameela Jamil during the digital cover shoot.

Jameela Jamil Digital Cover BTS BTS / Camera

Official trailer thumbnail for Two Lives in Pittsburgh.

Two Lives in Pittsburgh Trailer Context

Red-lit frame from Real Connections showing intimate visual work. — Real Connections

Real Connections Camera + Edit

Purple-toned frame from the Here We Are package. — Here We Are

Here We Are Camera + Post

Frame from the NORMAL official trailer showing an intimate interior conversation. — NORMAL

NORMAL Trailer Context

Featured Work

Four Projects, Up Close.

A feature edit, a short I directed, a series workflow, and a Vogue India BTS shoot.

Case File 01

Pick Up Artist

Role: Editor
The Pressure: The film was shot and partly cut, but it still needed a way through.
What I Shaped: I rebuilt the edit around story repair, technical cleanup, scene emphasis, and performance rhythm.
Proof: Editor credit listed on IMDb. Official trailer for the released film.

Open Case Study

Case File 02

PROXY

Role: Director / Writer / Editor
The Pressure: A short I carried across idea, frame, performance, cut, and final presentation.
What I Shaped: I kept the technology premise tied to intimacy, escape, and one uneasy feeling.
Proof: Public interview and Top Shorts Best Editing recognition.

Open Case Study

Case File 03

Shuttlepod Show

Role: Editor / Videographer
The Pressure: A fast series workflow moving from shoot to edit to upload within days.
What I Shaped: I supported video, edit rhythm, and handoff so the conversation stayed watchable.
Proof: TrekNews coverage connects the show to the editor and videographer role.

Open Case Study

Case File 04

Jameela Jamil Digital Cover BTS

Role: Videographer
The Pressure: A recognizable digital-cover shoot where the frame had to stay clean and useful.
What I Shaped: I captured behind-the-scenes coverage for the Vogue India digital cover piece.
Proof: Official Vogue India release supports the BTS / camera lane.

View Work Page

Watch All My Work

Where I Help

Where A Project Usually Needs Me Most.

Film, post, camera, trailers, series, and creator-led work all break in different places. These are the places I usually help.

The Footage Is There. The Film Is Not Yet.

I look for the pressure, order, and scene logic that makes raw material start behaving like a film.

The Trailer Needs Emotional Compression.

I build the entry point: premise, stakes, feeling, escalation, and the final turn that makes someone want the full piece.

The Project Needs Post Leadership.

Review cycles, sound sensitivity, delivery rhythm, and the practical calm needed to get through the finish.

The Footage Needs Rhythm, Pressure, And A Point.

Image, sound, pacing, and silence have to work together before the piece starts making real choices.

The Director Needs A Structural Collaborator.

Someone who can see the story problem, protect the performances, and keep the cut moving toward a clear finish.

View All Services

Public Proof

Public Links, Kept Simple.

A short set of outside links for the work, credits, interviews, and project context.

IMDb | 2025 | Database / editor credit

Pick Up Artist full cast and crew

Editor credit listed on IMDb.

IMDb Credit

TrekNews | 2023 | Industry press / project proof

Connor Trinneer and Dominic Keating talk Shuttlepod Show Live

Project coverage connected to the edit and video work on Shuttlepod Show.

Read TrekNews proof

Vogue India | 2022 | Official brand video / credit

On set with August digital cover star Jameela Jamil

Official Vogue India page credits Shranjay Arora and Julio Cesar Flores as videographers; video editing is credited separately.

Watch Vogue India feature

Arts Independent | 2022 | Interview / profile

Shranjay Arora Interview Part I: the lens is his lab

Public interview on filmmaking, science, story, and the early PROXY/SPOTTED period.

Read Arts Independent interview

VoyageLA | 2025 | Interview / profile

Check Out Shranjay Arora's Story

A human profile of the LA film, post, and camera path behind the work.

Read VoyageLA story

Top Shorts | 2022 | Festival / award proof

Top Shorts winners

Public Top Shorts page listing PROXY for Best Editing.

View Top Shorts proof

About

Live From Command. Not From Hunger.

Film-trained. Internet-native. Built between set and timeline.

Read the short bio

Final Scene

Bring The Right Project Into Frame.

A rough link and the right context are enough to start. I'll tell you quickly if I'm the right fit.

Start a Project